Beyonce and Jay-Z didn’t need to fill Ohio Stadium Thursday night to prove their cultural cachet.

They probably don’t even need to fill the other stadiums next in line to receive the precisely timed explosion that is the On the Run II tour.

The couple is, at this point, so successful that they can bring the biggest music tour ever to hit the ‘Shoe and not bat an eye at the achievement.

Still, they chose to spend their Thursday night under a cloudy sky in Ohio, oozing opulence with every one of a dozen or so costume changes.

Emerging hand in hand, dressed in pure white like a pair of doves, the Carters dove into Jay-Z’s 2013 single “Holy Grail.”

The rapper, who at 48 occasionally seemed out of breath during his segments of the show, served as hype-man.

He urged the full crowd to two-step, stalled while Beyonce changed and thanked the crowd profusely for shining cell phone lights.

Queen Bey, who reigned resplendent through all 2.5 hours without tiring, knew exactly what each song called for and provided accordingly.

“Drunk in Love” needed playful hair whipping. “Formation” required choreography sharper than new scissors.

Show highlight “Resentment,” delivered at the end of a catwalk stretching far into the crowd, needed nothing more than her unmatched voice decrying Jay-Z’s unfaithfulness to hush the tens of thousands.

That particular relational blemish formed the crux of the story that played out onstage during the show’s second half.

The early slew of older hits switched to a more personal narrative – documented in both her visual album “Lemonade” and his “4:44.”

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