Anne Hathaway causes controversy when sharing what brought her to “Armageddon Time”

Anne Hathaway discusses her fashion moment at New York Fashion Week, sitting next to Anna Wintour. She wore an unexpected outfit due to shoe issues, but it sparked conversation.

She found Anna Wintour to be delightful, despite her infamous reputation from “The Devil Wears Prada.”

Anne Hathaway reflects on the unlikelihood of a sequel to “The Devil Wears Prada.” She believes the original captured a specific era that doesn’t align with today’s digital age.

Despite the temptation, she doubts a sequel could capture the same essence.

Reflecting on “The Devil Wears Prada” turning 16, Anne Hathaway posted about women’s reproductive rights.

She emphasizes the importance of choice in women’s lives, especially amidst current political changes.

Anne Hathaway delves into her new film, “Armageddon Time,” a coming-of-age story set in 1980s Queens. She portrays Esther, a mother grappling with familial love, financial strain, and unfulfilled dreams amid inherited trauma.

Working with director James Gray and the film’s exploration of family dynamics drew Anne Hathaway to the project. She finds Esther’s contradictions and complexities compelling, especially against the backdrop of early ’80s America.

Anne Hathaway praises her co-star Anthony Hopkins, describing him as an illuminated soul. She cherishes his generosity, wisdom, and openness on set, highlighting a memorable dancing scene they shared.

Reflecting on Hopkins’ career, Anne Hathaway admires his versatility, citing lesser-known works like “Magic.” She expresses admiration for his remarkable acting talent and enjoys their on-screen chemistry.

Anne Hathaway expresses gratitude for the opportunity to discuss her film on “The View.” She appreciates the welcoming atmosphere and suggests returning for more conversations in the future.

Anne Hathaway’s fashion choice at New York Fashion Week sparks discussion about her resemblance to “The Devil Wears Prada.” Despite the coincidence, she shares a pleasant interaction with Anna Wintour.

Regarding a potential sequel to “The Devil Wears Prada,” Anne Hathaway acknowledges the temptation but doubts its feasibility in today’s digital era. She appreciates the original film’s unique portrayal of its time.

Anne Hathaway highlights the importance of women’s reproductive rights in light of political changes. She emphasizes the need for choice in shaping women’s lives and careers.

Anne Hathaway’s role in “Armageddon Time” explores the complexities of family life amidst societal and personal challenges. She finds the character of Esther compelling due to her contradictions and struggles.

Working alongside Anthony Hopkins in “Armageddon Time” was a rewarding experience for Anne Hathaway. She praises his talent, generosity, and illuminating presence on set.

Anne Hathaway reflects on the significance of discussing women’s reproductive rights, especially in the current political climate. She stresses the importance of choice and freedom in women’s lives.

Anne Hathaway’s fashion moment at New York Fashion Week prompts discussion about her resemblance to her character in “The Devil Wears Prada.” Despite the coincidence, she shares a pleasant interaction with Anna Wintour.

Anne Hathaway reflects on the unlikelihood of a sequel to “The Devil Wears Prada,” citing the film’s alignment with a different era. She appreciates the original film’s portrayal of a bygone era.

Reflecting on “The Devil Wears Prada” turning 16, Anne Hathaway emphasizes the importance of women’s reproductive rights in shaping women’s lives and careers.

Anne Hathaway discusses her role in “Armageddon Time,” portraying a mother navigating familial challenges amidst personal struggles. She finds the character’s complexities intriguing.

Working with Anthony Hopkins in “Armageddon Time” was a memorable experience for Anne Hathaway, who praises his talent, generosity, and illuminating presence on set.

Anne Hathaway attended New York Fashion Week and sat next to Anna Wintour, sparking comparisons to “Devil Wears Prada.” It was an accidental choice due to wardrobe mishap. Hathaway found Wintour delightful, discussing tennis and Vogue World.

Despite the iconic status of “Devil Wears Prada,” Hathaway believes a sequel wouldn’t fit the digital era. She humorously imagines Andy and Emily fetching coffee across Europe, but doubts the sequel’s feasibility.

Reflecting on the film’s 16th anniversary, Hathaway emphasized women’s rights, particularly reproductive freedom. She sees her character’s journey as poignant in light of current challenges to Roe v Wade, advocating for choice and access to healthcare.

Hathaway shares a personal perspective on abortion, emphasizing its complexity and the need for flexibility. She argues for the importance of choice and its role in human rights, stressing that not all pregnancies or circumstances are the same.

Transitioning to her new film “Armageddon Time,” Hathaway discusses her role as a frustrated yet loving mother. Drawn by the character’s contradictions and the film’s exploration of family dynamics, Hathaway praises director James Gray’s vision.

“Armageddon Time” delves into a family’s love, struggles, and inherited trauma against the backdrop of early 80s Queens. Hathaway finds parallels between the film’s era and current societal challenges, highlighting its relevance.

Working with Anthony Hopkins, Hathaway describes him as an illuminated soul, generous with wisdom and talent. Their on-screen dance, unrelated to the characters, was a delightful moment orchestrated by Hathaway and Hopkins.

Hathaway admires Hopkins’ versatility as an actor, citing lesser-known works like “Magic.” She cherishes the opportunity to work with him and appreciates his enduring career.

The hosts express their admiration for Hathaway’s work and invite her back to “The View.” Hathaway expresses interest, appreciating the opportunity to connect with the hosts further.

“Armageddon Time” is set for a nationwide release on November 4th, promising a compelling exploration of family, love, and societal challenges.

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Source: Los Angeles Times

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