During the two days of September 23-24, 2023, Houston welcomed the glory of Beyoncé with special solemnity, even for a few days Harris County was nicknamed Bey County.

 Traffic on toll roads makes drivers feel more uncomfortable and frustrated than usual. 

Both concerts were sold out and until the last minute, they were still wildly sought after on social networks.

That excitement soon took over the space, starting from NRG Park – covering highways, climbing over hills.

Wading over bridges and entering a stadium with a capacity of up to up to 72,220 seats. 

It was a wistfulness, making every audience become suspended as if immersed in the atmosphere of the music concert.

For every city Beyoncé has toured in, she always gives the audience a dress code: silver. Of course, when it comes to Houston, this city also receives similar requests. To make it easier to imagine, we can easily see a group of black women passing by with long horns and centaur heels with thick, glowing horseshoes. Sometimes there will be a whole procession of bears wearing frilly crop tops and baby shorts and knee-high boots following them. One can see countless silver coated hats, silver cowboy boots, silver capes, silver earrings, silver necklaces, silver gloves, silver flip-flops, silver masks, silver jumpsuits, Silver sunglasses, silver sweatpants, silver earrings and a silver jacket glowed brightly throughout the hall.

During the two shows, despite being overwhelmed by the huge scale, Beyoncé did not hesitate but still confidently burned her talent and enthusiasm on the big stage with the respect she had for Houston: “Houston, Texas, I love you.” The singer said she sees this tour as a “tribute tour” and kicked off in Stockholm in May. Beyoncé started the concert with opera, before switching to a gentle melody. , surf. Beyoncé took a series of high-pitched notes and quickly turned them back into growls, before she lowered them again, only to rise by what seemed like six octaves a second later.

 Beyoncé became famous for her talent for precisely handling her vocals and humming a voice that could immerse listeners in melodious melodies. Beyoncé possesses a colorful style with bold personality, with perfect combination, she still occupies the most prominent position when combined with a group of brilliant dancers and elaborate costumes (sometimes a bit different). ) chimed in next to her. In addition to possessing a captivating voice, Beyoncé can also rap and is a successful female rapper as she attracts many fans with her rap talent. During the tour in Houston, amidst cheers, cheers, and a bustling and exciting atmosphere, Beyoncé performed a performance with daring choreography and an alloy tank as a prop. – an impressive choice with a fierce appearance that contributed to igniting the atmosphere with a direct visual impact on the audience, bringing satisfaction to passionate fans throughout the two nights of the tour.

Continuous changes in costumes are prepared in advance to create beautiful effects for viewers throughout the two nights of performances. Between each performance, besides the elaborate music, there are equally kaleidoscopic performances. The variety of colors and costumes brought excitement throughout the performance.

In many ways, the Renaissance tour, which ends on October 1, 2023 in Kansas City, is considered quite ambitious for Beyoncé: in nearly three decades and nine solo tours, she has Constantly cultivate, practice and innovate yourself every day. Her voice, her performance, and the audience’s expectations of what a performer could, should, or must do, grew with her. Through more than 50 international performances, she seems to have met all expectations from those around her as well as gained a large number of fans, excelling in dance moves that are not small. However, for Beyoncé, she still shows her tireless efforts every day with a more distant ambition.

And Beyoncé’s Renaissance album itself is a living testament to her efforts, hard work, and talent: this album is a celebration, along with many other emotions, of songs that tell the story of her Black origins. black in disco and house music, black ballroom, fashion,… and countless niches encapsulating any particular nook and cranny of a queer culture. Each song contains its own message, its own rational thoughts and its own uplifting emotions. 

But the spellbinding charm of the Renaissance and the strangeness that permeates every note and rhythm give each piece of music a very special context: as a result, life is always moving and moving. Everything is constantly changing – even Beyoncé’s music in that “world” has taken on a very different look than her previous projects.

But for me, what was perhaps the most remarkable part of the show was its final moments: when the performers launched into Pure/Honey – the show’s penultimate song , the stage is given to the dancers to perform solemnly, elaborately and meticulously. Everyone who stood by Beyoncé throughout the show, to some degree, was given a moment. It was a jarring punctuation to a deeply deliberate thesis that the performers, crew, assistants and architects spent nearly three hours constructing: this event can made possible by queer – and specifically black – culture throughout the decades. Witnessing this in a room filled with tens of thousands of people, as a disco ball passed overhead, I felt giddy to the point of excitement.

And perhaps this was further proof of Beyoncé’s brilliance: for a few hours, we were all excited and looking forward to better things. A better life seems to be promised and laid bare before our eyes. I have seen and experienced things in my life that I never thought I would see, but I simply cannot imagine standing in the same stadium where I saw Beyoncé wearing leather for the first time. and net, along with diverse people from across the community so freely enjoying moments of bold happiness in being themselves for just a few hours of performance – marking a culture that is not only celebrated but is also emphasized and praised. Much is said about the otherworldliness of Beyoncé and her tangible labor that allows her to do this, but what is more interesting and extraordinary is: “she is completely human” – and yet Beyoncé’s Houston performances were considered near-perfect.

In a way, that performance brought a source of positive energy that made them – people who are different – believe in many things they achieved. In that arena, she successfully expanded and enhanced her abilities, setting an even higher, more elusive, more extreme standard, and maybe, Beyoncé will soon have more the ability to cultivate and further consolidate your solid foundation.

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Source: New York Post