Director Denis Villeneuve breaks down a scene from “Dune: Part Two.” The scene involves Paul Atreides becoming a Fremen by riding a sandworm for the first time.

Villeneuve wanted to stay true to the novel’s dialogue in this iconic scene. Stilgar’s role as a surrogate father to Paul is emphasized in the dialogue.

The Fremen language, Chakobsa, plays a prominent role in “Part Two.” Linguist David Peterson worked on creating the dialogue based on the book’s hints. Villeneuve wanted to highlight the equality between men and women in the Fremen tribe. Actress Souheila Yacoub brings femininity to the character of Shishakli.

Frank Herbert’s intention in writing “Dune” was to create a cautionary tale. Villeneuve wanted to give Chani’s character more prominence to achieve a critical distance from Paul. Zendaya’s expressive eyes help convey the warning aspect of the story. Villeneuve focused on realism in the eyes of the characters for “Part Two.”

Villeneuve wanted to bring out the meditative impact of the desert in the sandworm scene. Sound design, particularly the hissing of the sand, was key to creating immersion. Villeneuve highlighted the tension in the scene by drawing inspiration from “Jaws” and using stillness to build suspense.

The challenge of bringing the sandworm to life required a balance between realism and storytelling. A complex setup involving tubes and a collapsing sand dune was used to create the shot. The sound design for the sandworm was crucial in conveying its presence without turning it into a monster.

Villeneuve aimed to show Paul’s learning process during the sandworm sequence. The desert landscape and natural lighting added to the realism of the scene. The design of the sandworm skin was inspired by its vulnerability and prehistoric nature.

The scene culminates in Paul successfully taming the giant sandworm, fulfilling a prophecy. Villeneuve wanted to convey a sense of heroism and sacredness in this moment. The transition from celebration to adoration is shown through Chani’s perspective.

Hans Zimmer was brought on board to work on the music for both “Dune” movies. Villeneuve reflects on the time and effort spent on bringing the novel to life on screen. The sandworm ride sequence is a dream come true for Villeneuve in its execution.

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